Orgasmandala

Orgasmandala

Orgasmandala

Painted in 2003 and influenced by Eastern and Western spiritual, philosophical and psychological ideas.

The ‘mandala’ surrounds and crowns the female form of Vishnu, also known as Mohini from Hindu tradition. The mandala is also split into four, representing dominating traits in the human personality, inspired by Jungian psychology. The traits are taken from a group of eight traits, which divided into two, gives four traits with their opposite four.

The female represents the feminine part of the psyche contained within a male, which according to Jung, is the spokesperson and bridge which communicates between a male’s unconscious and conscious mind – the communicator of dreams, visions, ideas and intuitive information. Jung calls this entity the ‘anima’ which means ‘soul’ or ‘mind’. The opposite exists within the female and is called the ‘animus’ and appears in male form.

Orgasmandala represents the arrival of an idea, insight, or epiphany, when the individual finally integrates what is communicated from the unconscious mind via the anima to the conscious mind, which may arrive as a problem solved or a feeling through intuition, realised by the conscious mind. A psychic (meaning, relating to soul or mind) orgasm, which leads to a further understanding, contributing to balancing the mandala, representing the individual’s psyche as a whole – striving for a balance between the unconscious mind and the conscious mind, or dark and light parts of the soul, or mind.

The mandala emanates from the indigo orb situated at the centre of the mandala and at the centre of the anima’s forehead – representing the source of all things, or pure consciousness, where light and dark, good and evil, and all opposites do not exist. An undivided unity, not separated by a human perception of duality and fragmentation. An eye of insight, or ‘anja’, as it is known in Hinduism.




Shamanic Shadows

Shamanic Shadows

‘Shamanic Shadows’ was another early painting, since making an effort to learn painting techniques and striving for a realism to convey surreal, unconscious, inner images and ideas. This painting was my second painting following Space Baby and painted around the end of December 2001.

I was already familiar with Freud’s concepts of the unconscious mind and his model of the ego, id and super-ego which I observed or extrapolated in the workings of my own mind. Of course, the human personality and mind cannot be restricted to a simple model, but I found the ego, id and super-ego a good starting point to understanding the links between tensions with almost opposing separate personalities contending for expression within us all in unique ways, differing from individual to individual, dependent on personal experience and environment.

I was heavily into Jung’s idea which extended from Freud’s ideas. I was extremely interested in Jung’s concept of the collective unconscious and the archetypes, with what Freud’s concept of ego, id, super-ego was – an expression of the archetypes emerging from the collective unconscious which may appear in different forms from the individual, all the way to the cultural level.

In Shamanic Shadows, the ego is represented by the figure emerging between the two figures either side of the ego. The figure on the left, represents the id, with it’s instinctual nature, intuitions, animal drives along with ancient knowledge and/or wisdom, collected throughout time since the dawn of evolution. The figure on the left, represents the super-ego, containing cultural, societal influences, rules of society, social norms and so on. The super-ego can be quite brutal in some, causing a conflict within an individual. The super-ego contains what is learned through one’s environment and culture. If the super-ego wields too much power, this will be at the expense of the other entities, the ego and the id, although an imbalance in any of the three entities can cause havoc in one’s psyche.

At this moment in my life, my own super-ego possessed far too much power, as represented with the colour red. I was in the process of balancing out my own inner entities and to transfer the power of the super-ego to the ego and to give my id less restriction with it’s own drives and expression, although free reign to the id can also lead to undesirable situations which I was later to find out.

The other motifs in the painting have a meaning also, or a meaning I discerned after painting this picture, with the planet Saturn representing a ‘protector’ entity and the mountains to the left representing a source of power which had an ambivalent nature – a force to be used for either creation or destruction.

The ‘ego’, of course is the human-being’s sense of who they are, or sense of self and if the id and super-ego wander around the psyche without the awareness of the ego, or unconscious of these entities, many problems with the individual can result, which can be observed with conflicts with individuals and collective societies, which we can observe with conflict in history, up until the present day.

Conflicts, whether individual or collective, have their beginnings in the psyche. Peace is also found or created in the same way.




Concrete Leaf Painting | Natural Pink Style

Paint a concrete leaf in a natural pink style with a dry brushing technique and using acrylic paint. Undercoat your concrete leaf with a base coat of acrylic paint and apply layers of colour using dry brushing, which is applying paint to your paintbrush and removing excess paint from the brush and dusting over the leaf texture with layers of paint colour.

Colours used are Cadmium red, white and black. Mixing a combination of these colours to create tones and hues.
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Music by Angel Rust
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Related videos:
Make A Concrete Leaf: https://youtu.be/xmlXV_dqFUI
Concrete Leaf Painting – Autumnal/Fall Style: https://youtu.be/DGhDRhahms4
Concrete Leaf Painting – Natural Blue Style: https://youtu.be/FeL_eocnIFs
Concrete Leaf Painting – Natural Green Style: https://youtu.be/iRoyLKW_KsE




Concrete Cast Painting – Undercoating

Concrete Cast Painting – Undercoating

Quick video to show undercoat painting of concrete casts and items, using acrylic paint. Two coats of acrylic paint are adequate, to make the casts ready for dry brushing and paint effects.

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